Exhibition architecture: Büros für Konstruktivismus
Assistance: Igor Machata, Lorenzo Pastorello
Curators of the contemporary art exhibition: Sandra Bartoli, Silvan Linden, Florian Wüst
Contributing artists: Böhler & Orendt; Book & Hedén, Helen Mayer Harrison & Newton Harrison, Susanne Kriemann, Katarzyna Kukuła, New Territories_S/he with Mika Tamori & Štěpán Krahulec & Helvijs Savickis & Max Unterfrauner, Patricia Piccinini, Gitte Villesen
Curators of Plant Workshop of Modernity: Katrin Grotz, Patricia Rahemipour
Installation view of Plant Workshop in a displaced vitrine; in the background: Mind the Gap; Looking for Leberecht Migge, Book & Héden, 2019. Photograph: Frank Sperling
Botanical Museum before Über Nature
After Über Nature. Photograph: Silvan Linden, November 2019
View of the space with a section of the installation Mind the Gap; Looking for Leberecht Migge, Book & Héden, 2019. Photograph: Tobias Fink
Left: Reconstruction of Leberecht Migge “Zeltlaube,” Book & Héden (2003). Right: the paintings Tree of Knowledge, 2013, and Relax take it easy, 2018, Katarzyna Kukuła (2019). Photograph: Tobias Fink
After Über Nature. Photograph: Silvan Linden, November 2019
Installation views of Metaflora (Timelapse), Patricia Piccinini (2015). Photographs: Silvan Linden, 2019
Metaflora (Timelapse), Patricia Piccinini, 2015, video still
Left: Peninsula Europe, Part IV, 2010-ongoing, Helen Mayer Harrison & Newton Harrison, 2019. Front: Untitled, Kim Nekarda, 2018. Photograph: Tobias Fink
Peninsula Europe, Part IV, 2010-ongoing, Helen Mayer Harrison & Newton Harrison, 2019. Photograph: Tobias Fink, 2019
After Über Nature. Photograph: Silvan Linden, November 2019
View of the installation with Untitled, Kim Nekarda, 2018. Photograph: Tobias Fink, 2019
View of the space with the installation There is an affinity, Gitte Villesen, 2019. Phtotograph: Tobias Fink, 2019
After Über Nature. Photographs: Silvan Linden, November 2019
The Botanical Museum before Über Nature, spring 2019
After Über Nature. Photographs: Silvan Linden, November 2019
Views of the installation The Lichterfelde Club of Hope, Böhler & Orendt, 2018-2019. Photographs: Tobias Fink, 2019
Photograph: Silvan Linden, 2019
Photograph: Tobias Fink, 2019
Photographs: Silvan Linden, 2019
Photographs: Frank Sperling, 2019
Photograph: Tobias Fink, 2019
Photograph: Frank Sperling, 2019
Photograph: Tobias Fink, 2019
After Über Nature. Photographs: Silvan Linden, November 2019
The Florasaal (Flora Hall), Botanical Museum before Über Nature, spring 2019
Threshold between The Lichterfelde Club of Hope, Böhler & Orendt, 2018-2019, toward It Already Happened, New Territories_ S/he with Mika Tamori & Štěpán Krahulec & Helvijs Savickis & Max Unterfrauner, 2019. Photograph: Tobias Fink, 2019
After Über Nature. Photographs: Silvan Linden, November 2019
Views of It Already Happened, New Territories_ S/he with Mika Tamori & Štěpán Krahulec & Helvijs Savickis & Max Unterfrauner, 2019. Photographs: François Roche, 2019
View of the space with the installation Ge(ssenwiese) K(anigsberg). Library for Radioactive Afterlife, susanne Kriemann, 2019. Photograph: Tobias Fink
The Botanical Museum before Über Nature, spring 2019
View of the space with the installation Ge(ssenwiese) K(anigsberg). Library for Radioactive Afterlife, susanne Kriemann, 2019. Photograph: Tobias Fink
After Über Nature. Photographs: Silvan Linden, November 2019
Photograph: Frank Sperling, 2019
After Über Nature. Photographs: Silvan Linden, November 2019
Views of the space with the installation of Katarzyna Kukuła paintings: Tree of Knowledge, 2013, Relax take it easy, 2018, and Devils, 2019. Photographs: Tobias Fink, 2019
After Über Nature. Photographs: Silvan Linden, November 2019
The Botanical Museum before Über Nature, spring 2019